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Producer
FAQs
Everyone wants to write the next great American screenplay, but
only a few really have the talent. With the advent of screenwriting
software, more and more people think all they need is a cool script
development program like Dramatica
and Movie Magic Screenwriter 2000
to handle the formatting and they can be the next "flavor of the
month." These software programs are tools to make the process of
developing an idea and putting it down on paper easier, they just
can't come up with a great, salable idea for you. If someone could
develop software to do that, they'd be the richest person in the
world.
Q: I've sent my script to two producers who "passed" on it.
One of them gave me some suggestions on how to rewrite it and the
other one didn't give me any comments. Should I rewrite the script
based on those comments or keep sending it out until someone buys
it? It won an award in a contest so I think it must be good.
A: It all depends on the contest. Producers "pass" on scripts
for a variety of reasons. Most of the time it's because the script
is not nearly as interesting as the pitch in the query letter or
the synopsis. Writers can have great initial ideas and the script
just falls apart by page 60. You might want to consider having a
script consultant look at the script first before you submit it
to anyone else. If you cannot recognize weaknesses in the script,
you need a trained professional to do it for you.
Q: I am a graphic artist in addition to being a screenwriter
and I wanted to include drawings on my script cover and on specific
pages of my script. I was told that agents and producers don't like
it. Will it hurt my chances?
A: Yes. Do not draw anything on your script or in your script.
Your script covers should be blank and your script pages should
have nothing but black text in 12
pt. Courier font on them.
Q: I don't own a typewriter or a computer printer. If I have
great penmanship, can't I just handwrite the script?
A: Absolutely not. Agents and producers will not read anything
that is not typed. Since you obviously have a computer, go down
to Kinko's with your disk and print your pages out. You have to
make an investment in your career as a writer, which means buying
the tools you need to get the job done. Agents and producers are
professionals and take their jobs seriously and writers should do
the same.
Q: I think the so-called standard format is boring. Why can't
I use a more exciting font and print my script on colored paper?
A: You can break the rules once you make it. Until then,
follow the rules to the letter otherwise you will face rejection
every time.
Q: My script is 140 pages long and I've done everything I
can to make it shorter (even cheating the margins) does it matter
if my script is a little long?
A: Yes. The first thing agents and producers do is look at
the last page of the script. If it is over 110 pages, they usually
wince, but if it is over 120, they don't bother reading it at all.
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